MUSICAL DIMENSIONS OF QUALITY JUDGEMENTS IN LITURGICAL TRANSLATION

The paper is dedicated to the issues of how translation quality assessment can deal with musical aspects liturgical praxis. It not limited matters melody and isosyllabism (which partially overlap theory verse translation), but it has also cover functionality, perception reception are integrated in sociology criticism). study consists three foci: singability (isosyllabism local chants, collective individual creativity), historicism (hidden interpretations, functional censorship) phonetic semantic prosody (problems subjectivist perception, churchly interventions, modulations poetic texts for use). problem relay looks very unusual: although all came from same language (Patristic Greek), vernacular believers receive their national which were translated via mediating (Latin or Church Slavonic, even more languages). main text analysis Paschal Troparion (in Greek, Ukrainian, Polish, English versions), observations over other various included. juxtaposition Roman Byzantine Rites shows great role vocal music both rites attentively ecclesiastical authorities cherished sacred propaganda ecumenical moral dogmas.